Other choral pieces

O Columba: the Latin text and basic melodic ideas are derived from fragments of 14th century plainchant found in a document known as the Inchcolm Antiphoner. Commissioned by Cadenza, who gave the first performance in August 2003.   Duration 14'.   2 versions:

  1. Unaccompanied SATB with divisions in all parts (max. 8 parts)
  2. Score with added piano reduction for rehearsal only

A Hymn To God The Father: a setting of the poem by John Donne (1573 – 1631). The first section of the piece is lyrical. This is followed by a rhythmical, contrapuntal section in 7/8 time.   Duration 5' 30''.   2 versions:

  1. Unaccompanied SATB with a small amount of division in the S and A parts
  2. Unaccompanied SSAA with a small amount of division

Song for St. Cecilia: a setting of words from John Dryden's Song for St. Cecilia's Day, 1687.   Commissioned by the Hadley Court Singers, with subsidy from the Scottish Arts Council.  Duration 6'.   2 versions:

  1. Double SATB choir with organ
  2. Double SATB choir with orchestra

The orchestral version is scored for 2fl, 2 ob, 2 cl (in A), 2 bsn, 4 hn, 2 tpt (in Bb), 2 trb, timps, perc (1 player), strings.

Jubilate Deo: a rhythmical and modern setting.   Duration 3'.   2 versions:

  1. Unison treble voices and organ
  2. SATB and organ

A Farewell: a setting of a beautiful and moving poem by the New Zealand poet, A.R.D. Fairburn.   Duration 3' 30''.   2 versions:

  1. Unaccompanied SATB
  2. Unaccompanied SSSAA

Night Song: another of A.R.D. Fairburn's beautiful poems.   Duration 1' 45''.

  1. Unaccompanied SATB

Poem: a longer poem by A.R.D. Fairburn.   Duration 6'.

  1. Unaccompanied SATB (with divisions in all parts, to a max 8 parts)

The three settings of Fairburn's poems (above) can be performed individually or as part of a suite for unaccompanied SATB. The total duration of this suite is approx. 12'. The order of pieces is Night Song – Poem – A Farewell.

Everytime It Rains Lke This: another lovely poem from New Zealand; this one is by Sam Hunt.   Duration 5'.

  1. Unaccompanied SSATBB (with piano reduction for rehearsal only)

The Three Mysteries: the text in this piece is taken from 3 poems by the Orcadian writer, Edwin Muir (1887 – 1959). The 3 poems are The heart could never speak, Song, If I could know.   Duration 11' 30''.   3 versions:

  1. SATB and piano
  2. SAB and piano
  3. SSA (or SAA) and piano

The Land We Love: words that celebrate the Scottish borders by Will H. Ogilvie. The melody is original.   Duration 5' 30''.

  1. Unaccompanied SATB

In Flanders Fields: a setting of the famous World War 1 poem by the Canadian, John McCrae.   Duration 5'.

  1. Unaccompanied SATB

Happed In Mist: an arrangement of a song by Scottish singer/songwriter, Michael Marra. The words tell the story of a soldier in WW1 who is shot for desertion. The song is based on the character Ewan, from the novel Sunset Song by Lewis Grassic Gibbon.   Duration 4'.

  1. SATB and piano

No Man's Land: an arrangement of the famous contemporary folk song by Eric Bogle (a Scot who emigrated to Australia). This moving song (sometimes known by the title, The green fields of France) is also about the Great War.   Duration 10'.

  1. SATB and piano

This arrangement has also been recorded on CD by the National Youth Choir of Scotland. The details can be found here.

These last three pieces can be performed individually or as part of a 'Great War suite'. In addition to the shared theme of war, there is also a shared musical theme – the traditional tune, The flowers of the forest – which appears in all three pieces. The total duration of the 'suite' is 19', and the order of pieces should be as follows: In Flanders Fields – Happed In Mist – No man's Land.

Back to the front page...